![]() Leonora finds herself in the middle of this cross-generational family feud. ![]() Constantly haunted by her mother’s dying words ‘mi vendica’ (avenge me), Azucena sets in motion a series of events which lead to Manrico’s death. She raises Count di Luna’s brother as her own child, calling him Manrico. Possessed by a dark force in that moment, the child she threw into the flame was her own. Azucena sees the event repeating in every waking moment, in the flicker of the fire, and in the shape of shadows. Ferrando, the captain of di Luna’s guard uses the story to keep the men on their guard. Once grown, Count di Luna is possessed by his need to avenge the death of his brother. The story of how the gypsy died haunts every character of the opera. The child’s father seeks vengeance for the act and forces his surviving son to devote his life to avenging his brother’s death. ![]() A mother is burned at the stake for suspected witchcraft, and avenged by her daughter when she throws the child of her executioner into the fire. A story of witchcraft, murder, and vengeance, the plot to Il Trovatore begins in the acts of the parents.
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